GO HOME
Visit European Gallery



  1  2   Next
 
 
Prev Artist       Next Artist     

Jacob Maris Dutch Town on the Edge of the Sea oil painting


Dutch Town on the Edge of the Sea
Painting ID::  11808
Jacob Maris
Dutch Town on the Edge of the Sea
1883 2' 4 3/4'' x 4' 2' (73 x 127 cm)Gift of Abraham Preyer,1926

   
   
     

Jacob Maris Village near Schiedam oil painting


Village near Schiedam
Painting ID::  74498
Jacob Maris
Village near Schiedam
oil on canvas, 48,5 x 78,5 cm cjr

   
   
     

Jacob Maris Praying Monk oil painting


Praying Monk
Painting ID::  92970
Jacob Maris
Praying Monk
1864(1864) Medium oil on copper Dimensions 21.5 X 15.5 cm (8.5 X 6.1 in) cjr

   
   
     

Jacob Maris Harbour View oil painting


Harbour View
Painting ID::  92971
Jacob Maris
Harbour View
c. 1887(1887) Medium oil on canvas Dimensions 30 X 45.5 cm (11.8 X 17.9 in) cjr

   
   
     

Jacob Maris Gray day with ships oil painting


Gray day with ships
Painting ID::  92972
Jacob Maris
Gray day with ships
1877(1877) Medium oil on canvas Dimensions 60 X 38 cm (23.6 X 15 in) cjr

   
   
     

  1  2   Next
Prev Artist       Next Artist     

     Jacob Maris
     (August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.

     Related Artists::.
     | marie suzanne giroust roslin | Gaudenzio Ferrari | Edward john Gregory,RA.RI |


IntoFineArt Co,.Ltd.